FATI D. ASHLEY
Rights & Passages
I.
Sometimes the trees show their sorrow
by the way the moss hangs
in the south
Sometimes you can hear them
weep from what they’ve witnessed:
II.
Dreams spoken,
daring the world to let them live
too often lay
cut down &
immortalized in murals
cut down &
fading on t-shirts
cut down &
held up on signs
Cut down &
left for tomorrow’s reaping
Some seedlings barely have a chance
to grow unconfined
leaving legacies to shrivel
They’re the color of dried blood
III.
Is it that death wallows in this soil
disturbing roots
wrapping them around its body
like a cold vengeful sleeper?
Is it the poisonous water?
IV.
Over time, numbers quietly grew,
trampling over flowers
to draft new beds and weed out choice
Cloaked, civil engineers hand down warped forks
from their long robed arms-
penned infrastructure
-believing their work a moral
& life-term duty
Acts like those corrupt and maim imagination
only leaving prescribed possibilities
to choke free will & overrun lives that
hope to bloom, just a little,
before they die
Fati D. Ashley is a Ghanaian-American literary and visual artist who resides in Florida. Her poem “Cape Coast” was performed in Echoes of Us, a series of curated monologues, directed by Tony Award nominee Michele Shay in 2022. Fati is currently a primary editor for The Banyan Review. She is a 2023 Best of the Net nominee. Her work has been recently published in journals such as The Midway Journal and is forthcoming in The Talon Review. A selection of her abstract paintings were exhibited in the AfroFuturism Festival in Jacksonville, Florida. She is a 2023 Fellow of The Craft Institute.