BELLA ROTKER

What damage 


            this does, running the wine-dark water over 
and over my fingers until they bleed 

            and the film leaks ink into the river. 
                        We were silhouettes suspended 

            in film. I can’t stop tracing our shapes 
into the clouds. (There was a version 

            of this with clouds.) We can’t pull this far 
                        enough back to leave any of it 

            at the museum, where we took polaroids in front 
of the staircase. I’m not sorry 

            for the bones, the birds. The robin we’d 
                        dismantled. Or hid. Orange dissolving 

            into the corners, the piano, the walks 
downhill. What does it mean to protect—

            or preserve. I’m not sorry because we’ll never 
                        make it into an archive but I know 

            this. Listen: there were bugs, ivy, 
mineral shaped into memory. We ate 

            leaves below the sculptures and couldn’t 
                        help but know there’s nothing we can do 

            about time leaving us at its fraying 
edges. About the river as it darkens. Look, 

            everything has its brokenness. Plates 
                        collide. Skeletons dismantle. The fractures

            work their way up the lenses and every photo 
etches a line between us. There were always photos, and I’m not 

            sorry for the ink dissolving, or for the rain, 
                        the oxbow bend— we were surrounded 

            by the weight of the water. I swear 
this was only ever all-consuming. A self 

                        portrait. No. Preservation.

Sonnet for the time we read Kafka and tried to -esque him 


Our body, chiseled in thin air. Sorry, 
                        we materialize into nothing. 
                                    Our bodies are fading into darkness. 

We’re bug-like. We— no, you redistribute 
            into fog. Slowly, you collect, reshape 
                        into something abstract. I can’t decide 

what about this feels so intangible 
            other than distance, parallax movement, 
                        form. Reform. We’re not sitting, legs shrinking 

into an animal’s. Or— an insect’s. 
                        Simples arranged thing–wise or as symbols. 
                                    We’re wiping it blank. No. We’re wiping blanks. 

You’re not here, but lost. Something that’s more like 
            disappearing, or evolving into you.

Bella Rotker (they/she) is a sophomore at Interlochen Arts Academy where they study creative writing. She was born in Venezuela and grew up in Miami. She won the Haley Naughton Memorial Scholarship to Iowa Young Writers Studio and their work has appeared in The Hyacinth Review, Full Mood Mag, and Spoonie Press, among others. Bella can usually be found trying (and failing) to pet bunnies, pressing flowers, or staring wistfully at bodies of water.

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